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Years before meeting Shrek and Donkey, the adorable but tricky Puss in Boots must clear his name from all charges making him a wanted fugitive. While trying to steal magic beans from the infamous criminals Jack and Jill, the hero crosses paths with his female match, Kitty Softpaws, who leads Puss to his old friend, but now enemy, Humpty Dumpty. Memories of friendship and betrayal enlarges Puss’ doubt, but he eventually agrees to help the egg get the magic beans. Together, the three plan to steal the beans, get to the Giant’s castle, nab the golden goose, and clear Puss’ name.
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Who can deny it, the Latin-inspired Puss in Boots definitely adds more interest than the traditional version. He’s just far cooler in the way he personifies an animated photocopy of Antonio Banderas’ Zorro. The slyness, the brash overconfidence and of course, the ability to create havoc; the ingredients are there. He has the savoir-faire of Charles Perrault’s character as well as the morals. Though, overall, he distinguishes himself from any other take on the classic character and ends up as being just good, fairly rollicking fun.
As for the production itself, it was just a good little adventure and what was particularly nice was the lack of complication which many animated features, including the later Shrek films which brought this specific ‘Puss’ into the limelight, had to their detriment. By no means do I imply however that it was an overly simplified, mundane script either, that wouldn’t go together with Puss’ vibrancy. Although, it probably deteriorated a touch in even animated film persuasion as it went along, culminating in a slightly underwhelming way. It promised better and in that regard, lets itself down.
Once again, similar to ‘Shrek’, I thoroughly enjoyed the humorous, light-hearted parody of fairytale characters. That characterisation makes the whole thing even more fun. Banderas is unquestionably the right man to voice a ‘Latino Puss’ despite overdoing it a bit at times and being slightly overbearing. I’m not complaining though, that sort of exaggeration was the essence of his character. The characters of ‘Humpty Alexander Dumpty’ and ‘Jack and Jill’ were well thought out and depicted by their respective voice actors and actresses. My only qualms lay with Kitty Softpaws who didn’t initiate sizzling enough chemistry with Puss, they seemed slightly detached from one another although engaged in themselves. Her character didn’t leave as much of a mark as the others.
‘Puss in Boots’ is undoubtedly childishly funny but even adults won’t be able to resist a few smiles throughout. Ultimately, it may not deserve the superior label of ‘swashbuckling’ but it was plain, straightforward fun that you cannot go too wrong with.
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